5/5/2023 0 Comments T.n.t. acdc covers"Bon was a street poet – he described it as 'toilet wall' poetry," former AC/DC manager Michael Browning explained to Peter Watts of Uncut in 2013."That was unknown. However, Powerage was ultimately the final Bon Scott-era studio album the band recorded with the team of Harry Vanda and George Young, who had produced all of the band's albums up to that point (George was the older brother of Angus and Malcolm he and Vanda had enjoyed their own pop success with the Easybeats in the 1960s), the feeling from Atlantic being that a more commercial producer might do wonders for the band's profile in the lucrative American market.īiographer Clinton Walker wrote in his 1994 Scott memoir Highway to Hell, "'Gimme a Bullet' was perhaps Bon's most accomplished piece of writing to date, in which his penchant for hardcase metaphors finds even more genuine pathos and humour than it had before.""What's Next to the Moon", with its allusions to Casey Jones and Clark Kent, as well as the elusive "Gone Shootin'" and the unapologetic "Down Payment Blues" ("I know I ain't doin' much, but doin' nothin' means a lot to me"), clearly show that Scott's writing, much like the band's sound, had evolved from the novelties of the group's early albums. The song, which features handclaps and maracas and does not have a traditional guitar solo, was released in Britain at the end of May and reached #24, the best performance yet by an AC/DC single. Atlantic Records executives in the United States complained that the album did not contain a radio-friendly single, so with the first pressings of Powerage ready to go in the UK, the band complied and recorded "Rock 'n' Roll Damnation". The Powerage sessions officially got going in January 1978 and stretched over a period of about eight weeks. Several songs that appeared on Powerage were started in July 1977 during the band's first rehearsals with Williams at Albert Studios, including "Kicked in the Teeth", "Up to My Neck in You", an early version of "Touch Too Much" (which later appeared on the follow up album "Highway to Hell"), and possibly "Riff Raff". In early 1978, the band returned to Sydney to record their next album. The promotional album, Live from the Atlantic Studios, was later released on the 1997 Bonfire box set. In December they played a set in front of a small audience at Atlantic Recording Studios in New York City which was broadcast live over Radio WIOQ in Philadelphia and hosted by Ed Sciaky. The band finally toured America for the first time in the summer of 1977, focusing on smaller markets at first but eventually playing CBGB in New York City and the Whisky a Go Go in Los Angeles. We'd just been kicked off a Black Sabbath tour, and this was right when a trip to the States was cancelled because the record company rejected the Dirty Deeds Done Dirt Cheap album. There was a lot of tension in the band at the time. When I was fired, it wasn't so much a surprise as it was a shock. I felt the distance growing between me and Angus and Malcolm. I don't know if there was any one reason. At the time, Malcolm said something about them wanting a bass player who could sing, but I think that was a smokescreen. When I was with him, he expected everybody to be just like him, which is pretty impossible. And if they feel your commitment is anything less than theirs, well, that's a problem. ![]() With Angus and Malcolm, they were put on this earth to form AC/DC. In a 2011 interview with Joe Bosso that appears on MusicRadar, Evans reflected on his ousting from the group: Williams, who could also sing background vocals, passed the audition and was asked to join the band. Browning feared that Pattenden was too old and didn't fit the band's image, so he instead pushed for Englishman Cliff Williams, who had previously played with Home and Bandit. They used to have a sort of tit-for-tat thing going, but nothing that I would have ever thought was going to be gig-threatening." According to Browning, the Young brothers were seriously considering Colin Pattenden of Manfred Mann's Earth Band fame. We were in London, I went to their apartment and they told me they wanted to get rid of Mark. In the AC/DC memoir AC/DC: Maximum Rock & Roll, former manager Michael Browning states, "I got a call one day from Malcolm and Angus. and all CD releasesĪfter a 12-date European tour opening for Black Sabbath in April, bassist Mark Evans was fired from AC/DC on.
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